
Farhad and I are killing time inside a Turkish restaurant. We walk around the room looking at photos of American cities that hang on the walls.
That's San Francisco, I tell the young man who's serving as our translator and guide in Kabul. You can tell by the trolley.
There's New York City, I say as we move to the next photo. You should really go there, Farhad. It's amazing. He nods. He'd love to go.
Then we reach a famous American photo, another, older shot of the Big Apple. You've no doubt seen it — 11 men, dressed like characters in a John Steinbeck novel, sit on a steel beam a mile above the Manhattan skyline. They eat lunch and smoke cigarettes, taking a break from building what will soon be the tallest skyscraper in the world.
We stand silently for a moment inside the restaurant. I marvel at the utter calm of the workers in the photo, who wear no safety straps or harnesses. Farhad looks confused.
"So, was that picture taken 20 or 30 years ago in New York?" he asks.
"No, Farhad," I say quietly. "It was taken in the 1930s."
I pause, realizing how absurd my next statement will sound to a 27-year-old Afghan who's known nothing but war.
“We call that time the Great Depression.”
For two weeks in October, Farhad patiently led photographer Dior Azcuy and I through the confusion of modern-day Kabul.
He scored us sit-downs with top government officials. He got us through a maze of police barricades during a not-so-peaceful protest.
He translated flawlessly during interviews with the country’s second-most powerful politician and powerless schoolchildren, a joyous radio talk show host and an angry medical student, a wise mullah, simple shopkeepers and dozens of other Afghans of all colors, ages and mindsets.
He wowed Raheem Yaseer, assistant director of the University of Nebraska at Omaha’s Center for Afghanistan Studies, who proved invaluable as an advisor and simply a friendly face during the toughest assignment of our short journalistic careers.
On our own, Dior and I could’ve seen these Afghan faces, most of them visibly worn by what they’ve endured.
But we couldn’t have understood them without the help of Farhad Peikar, an Afghan journalist and Kabul University graduate student, a family man and a good old fashioned hustler.
He analyzed complicated political themes easily, explained the country’s ethnic divisions honestly and didn’t even complain when we chugged Coca-Cola right in front of him during Ramadan, when he couldn’t eat or drink anything during daylight hours.
Farhad is, in some ways, every bit as red-white-and-blue as Coke, a latter-day embodiment of the same spirit that allowed men to dream and build the Empire State building with their heads and hands.
He taught himself English, learned how to use a computer and descended on the foreign reporters who flocked to Afghanistan after the September 2001 U.S. invasion.
Do you need a translator, he’d ask. Of course they did.
Farhad didn’t stop there, even though he was making more money than he ever had.
He took to reporters, and reporting, and soon he was spending his nights at an Internet cafe, comparing what he’d written about the latest terrorist bombing in Kandahar to the New York Times story on the same subject.
Today he is employed by a Spanish news agency and can file stories that, if you ignore a missing article here or a dangling participle there, look like they came from the Kabul bureau of The Associated Press.
He is doing all this in English, his third-best language.
In other ways, Farhad, despite his clean-shaven face, button-up shirts and new blue jeans, is very much an Afghan.
He has taken care of his mother, sister and brothers since he was a teenager. He speaks of things like sex and beer very quietly, if he speaks of them at all. He never once drank Coca-Cola along with us, even though we wouldn’t have blamed him for it.
Bring his two sides together and you are staring at the face of a better Afghanistan, a country that can steer away from its last three decades, if only men like Farhad get the chance to drive.
But that face, it is turning crimson, embarrassed he didn’t know that the photo, “Lunchtime on a Crossbeam,” was taken in 1931.
I’ll remember how his face flushed and what he said: “In Afghanistan, we are 500 years behind.”
I’ll remember how I wanted to ignore the social norms of both Kabul and Nebraska and throw my arms around him.
I remember what I wanted to say, so I’ll say it now.
I will never understand why one of us lucked out and grew up on a peaceful family farm outside Red Cloud, Neb., worshiping the Chicago Cubs, playing Nintendo and worrying mainly about girls.
I will never understand why the other grew up in Soviet-occupied Afghanistan worrying about mid-day rocket attacks and land mines shaped like butterflies and lived to hear the news: His father had been murdered.
But I do understand this.
You have nothing to be ashamed of, Farhad. It is the rest of us who should be ashamed.